History of the City Hotel
The Hotel City in Senigallia is more than just a place to stay: it is a living witness to the history and evolution of the city. Since its opening in 1967, the City Hotel has distinguished itself as a benchmark for hospitality along the Adriatic coast, combining elegance and comfort in a unique ambience.
Modernisation in Progress
Currently, the City Hotel is at the centre of an ambitious modernisation project that will affect the entire building. The work, which has already begun, includes a complete renovation of the rooms, common areas and infrastructure, with the aim of offering our guests an even more exclusive and modern experience. The work is scheduled for completion in 2026.
A curious story
‘The Hotel City in Senigallia stands majestically, a colossus of concrete and dreams on the velvet beach, like a lighthouse recalling golden eras now faded by time. Construction began in 1966, and by 1967 its doors were already opening to the world, revealing a scene of unparalleled opulence along the Adriatic coast. In its marble-clad walls, in its corridors of golden reflections, one could glimpse the ambitions of a society that aspired to eternity.
Upon opening, the Hotel City immediately became a meeting point for the Italian elite and beyond. Its bright and sumptuous rooms were the scene of legendary nights, elegant balls and lavish parties where champagne flowed endlessly, while music filled every corner like a promise of a timeless tomorrow. It was said that within its walls stories of overwhelming passions and million-dollar deals were woven, but also that some unmentionable secrets were kept in the shadows between one column and another.
The creator of all this was a visionary whose extraordinary talent seemed to reflect his thirst for beauty and innovation. It is said of him that he had travelled the world in search of inspiration before putting his hand to the project. It was in Istanbul, overlooking a magnificent façade, that he found the vision for his masterpiece: an architecture that was both majestic and intimate, capable of welcoming its guests as a theatre hosts its actors.
Among the frequenters of those glittering rooms was Guido G., a man who seemed to have stepped out of the pages of a novel. Tall, handsome, and shrouded in mystery, Guido moved through the crowd as if the world belonged to him. He was a regular at the Hotel City, and soon became an emblematic figure of its most luxurious nights. Many said that he was not only an industrialist, but also whispered that his business extended far beyond the boundaries of the legitimate.
One winter, in December in the early 1970s, Guido organised a dinner party that would remain in legend. The menu was a hymn to Marche cuisine, but the evening promised more than just dinner: it promised magic. And that very evening, amidst the scent of white truffles and the clink of crystal glasses, appeared Isabella R., a magnetic figure with long golden hair and eyes as intense as oceans. Isabella was an actress, but rumours circulated about her that added charm and mystery to her beauty. Their meeting was an explosion of sparks, a forbidden love that soon became the centre of gossip in that society as brilliant as it was ruthless.
The years passed and, as inexorably happens, fashions changed. The Hotel City’s fame began to fade, like a photograph that time makes opaque. But in the late 2000s, a new ownership embarked on an ambitious renovation, eager to restore City to its glory. The foundations were reinforced, an underground garage added and the lobby transformed, all while the interior design was enriched with fine materials and artistic details. Over 250 works of art and design pieces were collected, objects that would give the City the immortal charm of its golden age, intertwined with modern luxury.
Today, the Hotel City continues to tower over the beach like a bastion, a place that still holds the memories of those unforgettable nights, of Guido and Isabella, and of an era that may never return. Like a lighthouse, the hotel welcomes travellers from all over, but only the most attentive will hear, in its corridors, the distant echo of those glorious years, of those loves and secrets that time has not entirely erased.’


